Monthly Archives: August 2017

Do Men Dream of Electric Women?: “My Sex Robot”

Because I am fast becoming a connoisseur of what some might call trashy tv, I recently watched what I’m going to call a documentary on Netflix entitled “My Sex Robot.” As one might expect, this relatively short movie explores the world of sex robots. Most of the robots that are discussed in this movie, both those that are in development and are hoped for, are meant to be robotic women. This makes it a bit difficult to be nonjudgmental of the individuals in the documentary, especially when one is a woman herself. I don’t think this reaction is specifically gendered, however, as my boyfriend, who was at my place when I declared that this is what would be on the tv while I was making dinner, also felt that the program was set up to let you judge the guys who are into sex robots. The documentary itself somewhat wanders between different people who are somehow involved in the sex robot subculture, either as hopeful consumers or as developers. Since the actual facts of the development of sex robots are fairly mundane, I will focus here mainly on my reactions to the documentary.

At least as far as is presented in the documentary, there are two main schools of sex robotics. The one that seems more prevalent is the one that focuses on creating a robot that can simulate not only a sexual partner, but an emotional one as well. I feel like this group is the stereotypical one that everyone thinks of when they think of guys who want sexbots. It’s also the group that’s the more uncomfortable for me and, I think, many people. In this group, you have men who say they want sexbots because “they can never break your heart” and that they’ll be an always-submissive partner. These wants are difficult for me to sympathize with, since at least some of them seem to be saying “I want a woman with no wants or needs outside of pleasing me.” I get that having a partner that basically doesn’t exist outside of their relationship with you isn’t a fantasy limited to sexbot enthusiasts, or to men, but making it a robot feels like taking it too far. Also, it elicits some of the same reaction I have to animatronic pets. Whenever I see animatronic pets on a tv show, I go to a place of sadness, and maybe even pity, because it isn’t real. I understand that these are probably great for some people, especially the elderly and very young who might not be equipped to take care of a real animal, but it just feels hollow. I might feel put-out that my cat isn’t particularly affectionate or cuddly, but I love him and I like that he has freewill. Ultimately, wanting someone without freewill is utterly foreign to me, and the fact that these almost always are made to look like females compounds my discomfort.

This route, however, is the most interesting on multiple fronts. It is scientifically interesting, or has the potential to be, as the desire for an emotional partner from a robot may lead to interesting applications of AI. Having a robot respond in a way that doesn’t feel, well, robotic will be an interesting challenge. This group of guys, as much as I may side-eye them, is also fascinating. While some want an artificially intelligent sex robot as a replacement for a female partner, others are in relationships or married. These men seemed to want a sexbot in addition to their partners, or at least that’s how it seemed to me. For at least one, sleeping with a robot seemed to be a fetish on the order of wanting to roleplay a specific scenario. Or at least that’s how it seemed to me. I feel like someone should do a more in-depth ethnographic study of this subculture.

The other main group of people working on sex robots is one I understand better. This group, at least those on the supply-side of this group, see the issue of sexbots as an engineering problem. The one developer that they focused on in this group was into robotics and then decided that he could make a lot of money if he could make a nice sex robot (and, yes, I realize I’m saying the person I get in this doc is the one who isn’t actually part of the subculture, but it is what it is). This guy’s main focus was making a robot that could move in a realistic manner, especially when it came to hip movements. He also developed both a male and female model, which soothes my discomfort with the sex/gender issues with the notion of sexbots. This group, I more or less get. I mean, I’m not going to go out and procure a sexbot, but these are basically really elaborate versions of other items that mimic certain parts of human anatomy.

In the end, the sex robot subculture is something to which I will always be an outside observer. I find the men interested in having sexbots in addition to wives and girlfriends to be quite interesting, and I would definitely learn more about them if given the chance. The ones who want sexbots to replace women will always make me a little judgy. And those who want to make elaborate toys, I can basically understand. I don’t know if I’d exactly recommend this documentary. It won’t really change your mind about anything. It is, however, a pretty short watch and entertaining background noise while you’re doing chores.

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Mecha Marathon [Surplus] – Mobile Suit Gundam SEED

Why hello. Sorry I’ve been AWOL. I’ve been busy with life things–moving, new jobs, moving again, family drama. You know the drill. Things are calmer now, calm enough to watch an old favorite of mine. It’s not an official part of the Mecha Marathon, but have a write up about it anyway. 

One year after the Bloody Valentine tragedy, where a nuclear missile destroyed a civilian colony, a covert ZAFT special forces team infiltrates a colony of the neutral nation of Orb and steals four of the five top secret weapons called Gundams. The fifth is piloted by Kira Yamato, a student-cum-soldier who escapes on the United Earth Alliance’s warship Archangel with his friends and a small pod of civilians. Understaffed, under-supplied, and unprepared, Archangel must somehow get to UEA headquarters on Earth before they are destroyed by the ZAFT team pursuing them. But Kira is reluctant to fight, especially when his best friend Athrun Zala is one of his pursuers.

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screenshot via third opening; I added this image to my Mecha Aesthetic board on Pinterest

Gundam SEED starts off really good. The drama is simple and engaging with a focus on a struggling, top secret warship with a reluctant pilot. There is even something I can only call racism which, despite what you may think, adds an extra layer of intrigue. ZAFT is entirely populated by Coordinators, genetically-modified humans who are capable of much more than unmodified Naturals. There’s jealousy on both sides–Naturals feel inferior and Coordinators crave equality. Kira Yamato is a Coordinator working for “the enemy,” and this conundrum underlines his reluctance to fight with the Archangel despite growing up in a neutral colony.

It does not escape me that Gundam SEED is basically the original Mobile Suit Gundam with a couple extras. The warships Archangel and White Base have similar missions with similar characters: Captain Ramius is the new Lieutenant Bright, Kira Yamato is the new Amuro Ray, and Commander Rau Le Cruset is the new Char Anzable. Despite this, Gundam SEED stands on its own; viewers need not know or understand previous Gundam properties to enjoy SEED.

What’s there to like? On a personal level, I am down with the main leadership of the Archangel, which consists of Captain Ramius, Lieutenant Badgiruel, and Commander Mu La Flaga. I interpret each a representing a part of the body: Ramius is the heart (idealism), Badgiruel is the brain (rationalism), and La Flaga the arms (realism). The heart rules the ship and ultimately makes the final decision, but she is greatly influenced by the brain and supported by the arms. At least at the beginning. When Archangel finally arrives in Alaska, Badgiruel is transferred to another posting, leaving Ramius and La Flaga on the ship to feel the betrayal of the United Earth Alliance on their own. (La Flaga was also transferred, but he returned right before shit goes down.)

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screenshot via third opening; I really want to meet the parent that looks at a baby and decides to name them Mu.

I give the show some points for feminism too. Ramius and Badgiruel ensure the Bechdel Test is passed almost every episode until they’re separated. There is an equal split in genders of the main four characters (Kira and Athrun with Cagalli and Lacus). Erika Simmons is the head engineer for Morgenroete, an engineering company in Orb that built the Gundams. The three pilots for the Gundam Astray models are all female. And every named female character that crosses the screen is a badass in her own right. My heart goes out to Lacus, the pink-haired, childish songstress of ZAFT who does crazy things like order a military commander to stop an opportunistic pursuit of the enemy vessel and eventually leads an entire fraction of soldiers to commit treason.

There is still a little work to be done. Cagalli and Lacus are both of the main four but they barely speak to each other the entire show, even when they’re working together in the final episodes. Miriallia is the only woman in the combined posses of Kira and Athrun. Though ZAFT shows some female representation in their leadership, there is no female presence on the leadership of the United Earth Alliance. Yeah, they’re supposed to be the most evil of the evil organizations, but showing a little equal opportunity oppression goes a long way.

The animation and music is amazing. More than ten years after its initial release, the first ending theme song, Anna ni Issho Datta no ni by See-Saw, still plucks the heartstrings with equal parts nostalgia and energy. Then again, See-Saw’s main composer is anime legend Yuki Kajiura, so of course the music is amazing. Kajjiura did not contribute to the overall score of Gundam SEED, but her hand is seen in the insert songs at least two op/ed songs. The character designs are dynamic. Coordinators may have a brighter color palette (i.e. Lacus Clyne’s pink hair and purple dresses) but the Naturals of the Archangel are still distinguishable in appearance despite the same grey uniform. Throw this together with fluid animation and you have a very pretty show. Pretty in appearance and pretty in sound (until Kira starts to cry, which is awkward enough to hear, but his animated sobs don’t match with his screams and it’s jarring).

 

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screenshot via third opening; those boys are Lacus’s bitches. The narrative may not phrase it that way, but it’s the true.

SEED is prone to melodrama, and there are some specific events that prove how off-the-rails it can get. The final battle between Kira and Athrun is the turning point of their friendship and the show. After that, there is a lot more melodrama in the show. Events like Miriallia’s assault on Dearka in the Archangel’s infirmary become commonplace. Kira, despite nearly dying on Earth, wakes up in space under the care of Lacus (who just so happens to be friends with the dude who found Kira). Yet some of this melodrama makes the show fun to watch. The episode where Athrun and Cagari are stranded on an island is a fun time. And I do have a soft spot for the burgeoning romance between Miriallia and Dearka, which is borne of empathy and sorrow.

As a side note, my main ship is AthrunxLacus, because I am super super into aristocratic pairings like that. Also, they were really sweet together. AthrunxCagalli is sweet once you live through their respective arcs, but I need a bit more convincing. Lacus, meanwhile, can choose anyone she damn well chooses and it will always be the right choice.

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screenshot via third opening; oh yeah, this show has giant robots too

If you’re looking for a serious mecha show a la Mobile Suit Gundam: War in the Pocket or Aldnoah.Zero, you have it in the opening arcs when the Star-Crossed Bros arc is the main chorus. Gundam SEED likes to place characters where they shouldn’t be for drama, especially after the halfway point. I recommend Gundam SEED to casual mecha fans and people who easily emote over beautiful people.